Wednesday, June 22, Good Readers and Good Writers Thesis The thesis or main point of Good Readers and Good Writers is to be a good reader you must be a good writer and to be a good writer you must be a good reader. The thesis is in the information of the essay, which leads it to be a implicit thesis. An implicit thesis is when you do not make it an obvious main point in the essay instead of saying the thesis in the begin of an essay.
After re-reading "Lolita", I asked my local bookseller if she'd ever read it. The author or the character?
I wanted to talk to someone about my experience straight away. Now, not being a smoker, all I needed was some post-coital conversation. And there was no one around to converse with. Nor was it going to tell me I had been a Good Reader or that it had appreciated my attentiveness.
It was back between the covers, challenging me to start again.
A grooming, a consummation, an aftermath. Nabokov makes of his material a three act play. And he does so playfully, seductively, lyrically, charmingly, amusingly, dangerously. Beneath the skin of the novel, there is much more. There is a whole complex living organism. You can lose yourself within its arms for days, weeks, months, a lifetime.
As long as your love of wordplay, your love of words and play, will permit you.
Again, at a superficial level, there is an almighty conflict between morality and aesthetics happening between the pages. Whether or not Nabokov deliberately put the conflict there, he put the subject matter there. We, the readers, can supply our own conflict in the way we read his novel.
Nabokov knew the subject matter would inflame us, if not our desires, then at least our morals, our sense of righteousness. Morality and aesthetics are intertwined within the fabric of the novel.
They embrace each other in one long death roll, just like Humbert Humbert and Clare Quilty. We watch their interaction, open-mouthed, open-minded, but ultimately they have to be pulled apart or separated.
When they are together, they are one. The Morality of the Story There is no doubt that sexual relations between an adult and a minor are not just immoral, but criminal as well. That is an unquestionable fact. From a legal point of view, the motive of the adult is irrelevant to the proof of the crime.
The consent of the minor is irrelevant to the proof of the crime. If Humbert had been charged with an offence of sexual relations with a minor, he would have had no legal defence. Any question as to whether Lolita really seduced Humbert would have been irrelevant. In fact, the evidence might not even have been admissible, except potentially as part of the determination of the penalty.
In other words, even if it was relevant to penalty, it was not relevant to guilt. Because morality is a social construct that depends on collective endorsement, he had no moral defence either.
The choice of the individual is to comply or offend.Vladimir Nabokov, Good Readers and Good Writers. Questions to consider while reading: The Nabokov piece is a seminal one in our study of reading and writing. You will come back to it again and again over the course of the year. What is your reaction to the essay?
Is it an emotional one or a logical one? Good Readers and Good Writers. Vladimir Nabokov, Good Readers and Good Writers Journal questions to consider while reading: The Nabokov piece is a seminal one in our study of reading and writing.
You will come back to it again and again over the course of the year. Writers and Editors, linking writers and editors to resources (including each other), markets, clients, and fans; maintained by Pat McNees, writer, personal and organizational historian, journalist, editor.
Writer’s Writer and Writer’s Writer’s Writer Julian Barnes. Madame Bovary: Provincial Ways by Gustave Flaubert, translated by Lydia Davis Penguin, pp, . Lolita has , ratings and 20, reviews. Ian said: Between the CoversAfter re-reading Lolita, I asked my local bookseller if she'd ever read it.
Madame Bovary is the debut novel of French writer Gustave Flaubert, published in The character lives beyond her means in order to escape the banalities and emptiness of provincial life.